By Larry Starr, Christopher Waterman

Rock, nation, pop, soul, funk, punk, folks, hip-hop, techno, grunge--it's all right here. In American well known track: The Rock Years, Larry Starr and Christopher Waterman take readers on a desirable trip during the wealthy ancient and stylistic panorama of yank rock. An abridged model of the authors' acclaimed American well known song: From Minstrelsy to MTV, this quantity contains chapters 8-14 of the longer e-book in addition to new introductory and concluding chapters.
American renowned tune: The Rock Years lines the improvement of rock from its roots within the mid-1940s to its present kingdom within the twenty-first century, integrating in-depth discussions of the song itself with sturdy insurance of the attendant old, social, and cultural situations. It moves a stability among musical research and social context, exhibiting how rock and American tradition have continually inspired one another over the years. utilizing well-chosen examples, insightful commentaries, and an attractive writing sort, the authors spotlight the contributions of numerous teams to the improvement of rock tune, clarify the consequences of developments in recording know-how, and chronicle the expansion of rock track as an undefined. The ebook is improved through a wealthy representation application; boxed inserts on major members, recordings, and fascinating subject matters; and well-organized listening charts for recordings which are mentioned intimately within the textual content. Remarkably obtainable, American well known track: The Rock Years is perfect for introductory classes within the background of rock and roll and may inspire readers to develop into extra seriously conscious listeners of rock music.

About the Author

Larry Starr is at college of Washington. Christopher Waterman is at UCLA.

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Extra info for American Popular Music: The Rock Years

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This migrant population greatly expanded the target audience for southern-derived music, providing a steady source of support for the urban honky-tonks, juke joints, and lounges where country and western and rhythm & blues groups played. Radio also played a crucial role in the popularization of these types of music. There was a substantial increase in the number of radio stations catering specially to transplanted southerners, some capable of saturating the entire country’s airwaves, others low-wattage affairs with a broadcasting radius of only a few miles.

Courtesy Library of Congress. 35 36 AMERICAN POPULAR MUSIC and performed at union rallies, college concerts, and urban coffeehouses. The group was “discovered” at a New York City nightclub by Gordon Jenkins, the managing director of Decca Records, and between 1950 and 1954 they placed eleven records in the Top 40. It is difficult to gauge what impact the Weavers might have had on pop music had they been allowed to sustain their early success. ) Decca Records, unwilling to withstand the heat, dropped their contract, and the Weavers never again appeared on the pop music charts.

Azpiazú’s 1929 recording of “El Manicero” (“The Peanut Vendor”) became a huge international hit. Within a few months of its release many dance orchestras in the United States had recorded their own versions of the song, a phenomenon later known as “covering” a hit song. The rumba reached a height of popularity in the United States during the 1930s and was succeeded by a series of Cuban-based ballroom dance fads, including the mambo (1940s) and cha-cha-chá (1950s). Variants of Cuban-based music in the United States ranged from the exciting blend of modern jazz and rumba pioneered by Machito and Dizzy Gillespie in the 1940s to the tourist-oriented style performed by Desi Arnaz’s orchestra on the I Love Lucy television show.

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