By Roger Ebert
Roger Ebert's I Hated, Hated, Hated This Movie and Your motion picture Sucks, which accumulated a few of his so much scathing reports, have been best-sellers. This new assortment keeps the culture, reviewing not just video clips that have been on the backside of the barrel, but additionally video clips that he stumbled on beneath the barrel.
A terrible event of insufferable Length collects greater than 2 hundred of his experiences due to the fact that 2006 within which he gave video clips stars or fewer. identified for his fair-minded and well-written movie reports, Roger is at his razor-sharp funny top whilst skewering undesirable video clips. reflect on this opener for the one-star Your Highness:
"Your Highness is a juvenile excrescence that seems like the paintings of 11-year-old boys in love with dungeons, dragons, warrior ladies, pot, boobs, and four-letter phrases. That this is often the paintings of David Gordon eco-friendly beggars the mind's eye. certainly one of its heroes wears the penis of a minotaur on a string round his neck. I hate it whilst that happens."
And ultimately, the muse for the identify of this booklet, the one-star Transformers: Revenge of the Fallen:
Transformers: Revenge of the Fallen is a terrible event of insufferable size, in brief punctuated by means of 3 or 4 fun moments. this sort of contains a doglike robotic humping the leg of the heroine. so one can retailer your self the price tag cost move, move into the kitchen, cue up a male choir making a song the track of hell, and get a child to begin banging pots and pans jointly. Then shut your eyes and use your imagination."
Movie buffs and humor enthusiasts alike will get pleasure from this treasury of flicks so undesirable that you could be simply are looking to see them for an exceptional snicker!
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Extra info for A Horrible Experience of Unbearable Length: More Movies That Suck
Starring in and directing his own light touring fare, Glaser and company were in their second decade of returning to Rochester for the profitable summer engagement. The Lyceum troupe looked down their noses at Glaser's inferior ham productions—across the street at the newer Temple. After hours, Cukor used to regale everybody with his slashing mimicry of the rival company's manager. One of the ways in which Cukor gained the upper hand was to exploit the local angle. Glaser was an outsider whose company (many from Portland and San Francisco stock organizations) did not mix in Rochester society, whereas the Lyceum Players seemed to be, more or less, genuine "Rochesties" (a nickname for the local populace).
In 1922, Rochester was "a small city, very American, very Yankee and so much fun," in Cukor's recollection. It had a bustling downtown, excellent theaters and moviehouses, fine restaurants and speakeasies, chic hotels, a nearby amusement park, and many Finger Lakes, plus Lake Ontario, within driving distance. With its sizable 27 middle class and well-to-do bloc, Rochester citizens had a tradition of turning out in goodly numbers for all of the major touring productions and revues. The first-class Lyceum, downtown, east of the river, was considered the city's best playhouse.
Cukor will . . look after technical points of production as well as act," reported a Rochester newspaper). Yet Cukor was crucial to the success of the Players. The energetic company manager put in long hours behind the scenes, he had a finger in every phase of the operation, and he circulated widely around town at dinners and parties. " Back in New York City during the regular season, Cukor could flaunt good references now. It wasn't long before he was positioned advantageously as the stage manager of the Empire Theatre, across from the Metropolitan Opera House, near Fortieth Street, which was the showcase of the Charles Frohman organization and one of Broadway's most prestigious playhouses.